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Title:Los enamoramientos
Author:Javier Marías
Book Format:Paperback
Book Edition:Anniversary Edition
Pages:Pages: 401 pages
Published:April 6th 2011 by Alfaguara (first published April 2011)
Categories:Fiction. Cultural. Spain. Mystery. European Literature. Spanish Literature. Contemporary
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Los enamoramientos Paperback | Pages: 401 pages
Rating: 3.51 | 7868 Users | 1046 Reviews

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«La última vez que vi a Miguel Desvern o Deverne fue también la última que lo vio su mujer, Luisa, lo cual no dejó de ser extraño y quizá injusto, ya que ella era eso, su mujer, y yo era en cambio una desconocida...»

Así comienza Los enamoramientos, la nueva novela de Javier Marías, consagrado como uno de los mejores novelistas contemporáneos. María Dolz, la narradora y protagonista, sólo supo su nombre «cuando apareció su foto en el periódico, apuñalado y medio descamisado y a punto de convertirse en un muerto: lo último de lo que se debió de dar cuenta fue de que lo acuchillaban por confusión y sin causa».

Con una prosa profunda y cautivadora, esta novela reflexiona sobre el estado de enamoramiento, considerado casi universalmente como algo positivo e incluso redentor a veces, tanto que parece justificar casi todas las cosas: las acciones nobles y desinteresadas, pero también los mayores desmanes y ruindades.

Los enamoramientos es también un libro sobre la impunidad y sobre la horrible fuerza de los hechos; sobre la inconveniencia de que los muertos pudieran volver, por mucho que se los haya llorado y que en apariencia nada se deseara tanto como su regreso, o al menos que siguieran vivos; también sobre la imposibilidad de saber nunca la verdad cabalmente, ni siquiera la de nuestro pensamiento, oscilante y variable siempre.

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Original Title: Los enamoramientos
ISBN: 8420407135 (ISBN13: 9788420407135)
Edition Language: Spanish URL http://www.alfaguara.com/es/libro/los-enamoramientos/
Characters: Ruibérriz de Torres, María Dolz, Miguel Desvern, Miguel Deverne, Luisa Alday, Javier Díaz-Varela
Setting: Spain
Literary Awards: BTBA Best Translated Book Award Nominee for Fiction longlist (2014), Independent Foreign Fiction Prize Nominee for Longlist (2014), PEN Translation Prize Nominee for Margaret Jull Costa (2014), National Book Critics Circle Award Nominee for Fiction (2013), Europese Literatuurprijs Nominee (2013) Premio de traducción literaria Valle Inclán Nominee for Margaret Jull Costa (2014), Premio Tomasi di Lampedusa (2014), Premio Nacional de Narrativa (2012), International Dublin Literary Award Nominee (2015)


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Ratings: 3.51 From 7868 Users | 1046 Reviews

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Its quite shameful the way reality imposes no limits on itself. The questions about life and death are quite contrasting. While we hardly ask about how someone is born, the news of someones death is almost always followed by the question of How. Apart from satiating our curiosity and mellow down the shock of the news, there is a sense of relief we try to find in the answers. And to be honest, such news is not always unpleasant especially when the death is caused due to some natural causes; in

You could say that I wished them all the best in the world, as if they were characters in a novel or a film for whom one is rooting right from the start, knowing that something bad is going to happen to them, that at some point, things will go horribly wrong, otherwise there would be no novel or film. They were the brief, modest spectacle that lifted my mood before I went to work at the publishing house to wrestle with my megalomaniac boss and his horrible authors.So is the sentiment expressed

Far from PerfectA twisty, noir-ish short story padded with 300 pages of cod-reflective waffle. I'd never really been interested in Javier Marías; however, as The Infatuations was on two translation prize longlists I was reading last year, I got it and hoped to be pleasantly surprised. That wasn't to be. (And, as the only new Javier Marías reviews that have popped up in my feed this year have been negative ones - four or so posts giving me the *sense* of a backlash even if they aren't one

"The Infatuations", written by Spanish writer, Javier Marias, begins with a murder. It's brilliantly and seductively written - with mesmerizing passages on every page. There was even a very powerful passage about a mother - who clearly loves her children - but just can't cope with them at the moment - wishes she didn't have to - as they weighed too much on her. Her husband was dead - with two small children ---( this passage went on - powerfully - for pages). I thought about my mother, when I,

2.5 stars, rounded up for the first third of the bookThis started so promisingly! I was convinced it was going to be a 4 or 5 star read for me. But then it just lost all momentum and started to feel repetitive and self indulgent. How disappointing.

"what happened is the least of it. it's a novel, and once you've finished a novel, what happened in it is of little importance and soon forgotten. what matters are the possibilities and ideas that the novel's imaginary plot communicates to us and infuses us with, a plot that we recall far more vividly than real events and to which we pay far more attention." being that there are so many ways in which one might consider a book's overall effect (to say nothing of how certain elements may appeal

They sat here before. The Chambers. Awash in the overheated humidity, pomade, the dense artificial freshening scent. Moments before, an objection had been raised out there.So, Sam, what...what can you give me?"Gruesome over here objected to my objection.You know he's right Ned. You can't object to an objection. If I were to allow that then one of you would object to that and the objections would go on until we could no more see them. I'm still not sure what your case is Sam. He rolled out his

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